| |
Allegory: A figurative work in which a surface narrative carries a
secondary, symbolic or metaphorical meaning. In The Faerie Queene, for
example, Red Cross Knight is a heroic knight in the literal narrative, but also
a figure representing Everyman in the Christian journey. Many works contain
allegories or are allegorical in part, but not many are entirely allegorical.
Apologue: A moral fable, usually featuring personified animals or
inanimate objects which act like people to allow the author to comment on the
human condition. Often, the apologue highlights the irrationality of mankind.
The beast fable, and the fables of Aesop are examples. Some critics have called
Samuel Johnson's Rasselas an apologue rather than a novel because it is
more concerned with moral philosophy than with character or plot. Examples:
- George Orwell, Animal Farm
- Rudyard Kipling, The Jungle Book
Blank Verse. Unrhymed iambic pentameter.
Burlesque. A work designed to ridicule a style, literary form, or
subject matter either by treating the exalted in a trivial way or by discussing
the trivial in exalted terms (that is, with mock dignity). Burlesque
concentrates on derisive imitation, usually in exaggerated terms. Literary
genres (like the tragic drama) can be burlesqued, as can styles of sculpture,
philosophical movements, schools of art, and so forth.
Conceit: An elaborate, usually intellectually ingenious poetic comparison
or image, such as an analogy or metaphor in which, say a beloved is compared to
a ship, planet, etc. The comparison may be brief or extended.
Detective novel. A novel focusing on the solving of a crime, often by
a brilliant detective, and usually employing the elements of mystery and
suspense. Examples:
- Sir Arthur Conan Doyle, The Hound of the Baskervilles
- Agatha Christie, Murder on the Orient Express
- Dorothy Sayers, Strong Poison
|
|